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Macbeth act i scene vii diction - Macbeth: Summary & Analysis Act I Scene 7 | CliffsNotes

ACT I SCENE VII: The same. A room in Macbeth's castle. Hautboys and torches. Enter a Sewer, and divers Servants with dishes and service, and pass over the stage. Then enter MACBETH. MACBETH: If it were done when 'tis done, then 'twere well: It were done quickly: if the assassination: Could trammel up the consequence, and catch.

Throughout the speech, his words recall those of Shakespeare 's earlier tragic hero, Hamlet. In paraphrase, Macbeth wonders whether the act of murder itself must, by necessity, carry consequences in "the life to come" or whether judgment will await him in this life.

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Macbeth is simultaneously aware of the duplicity and imbalance of the proposed murder he is Duncan 's relative, subject, and host, vii he is to be his killer and of the equality and balance of earthly and heavenly law: Of further concern to Macbeth is the disparity between his own reputation and the world's perception of Duncan as a good and virtuous king.

The final section of the speech contains Writing a conclusion for an argumentative essay apocalyptic vision in which he imagines Duncan's virtue and pity proclaimed as if by angels and cherubim from a storm-filled sky. This doom-laden scene, whose imagery for example, "trumpet-tongued" reflects that Macbeth the biblical Day of Judgment, gives way in turn to act nagging self-doubt.

Lady Macbeth must immediately detect Macbeth's diction.

Macbeth Act 1, Scene 7 Translation | Shakescleare, by LitCharts

When Macbeth admits to her that his golden reputation might lose its "gloss," she sets out to strengthen his resolve by mocking his perceived weakness. Her questions drive further the wedge between daring and doing, between courage and action, between desire and fulfillment.

To these, she adds a distinction between masculinity and femininity: In contrast to her own self-proclaimed manliness, she pours scorn upon her husband's lack of courage. She tells him he is "green," "a coward," and that he resembles the proverbial "poor cat" who wanted the fish but would not get its paws wet. Finally, and most damningly, she tells him that her own lack of pity would extend to murdering her own child as it suckled at her breast.

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With this one terrifying example, she confirms that "the milk of human kindness" is absent in her. Line numbers have been scene. Here for the last Citations in the research paper itself are always put we see Macbeth a free man, still capable of diction between good and Macbeth. The motives that are at work to deter him from committing the murder, fear of the consequences in this world, mingled feelings of kinship, loyalty, and hospitality, admiration for Duncan's goodness, are not, perhaps, of the highest moral character; but in comparison with the reckless lust of power which urges him on, they are certainly motives for good.

The conflict rages in his soul, and it seems as if Lukes geographical horizon essay powers of good were triumphing, when Lady Macbeth enters.

Instantly she vii into the scale all the weight of her influence, backed by a relentless decision to contemplate nothing act the immediate necessity for action.

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Macbeth wavers for an instant, and then, not so much overpersuaded, as stung into action by the taunts of his wife, plunges headlong into the crime. From this time till the end of the play Macbeth is no longer a free man. All his remaining actions spring by the logical necessity of crime from his first deed of blood. Note the double meaning of "done" in this line: The antecedent is probably "consequence" in the preceding line.

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The passage may be paraphrased thus: But here, only here. Bloody instructions, lessons in bloodshed. Strong both, both strong arguments. In this passage where the wild emotions of Macbeth's mind are struggling for utterance, one metaphor crowds upon and displaces another. This figure of a messenger seated upon the wind calls up a confused memory of a verse of the Bible Psalms, xviii.

The angel is represented like a royal messenger Macbeth post, i. See Textual Notes, p. The figure is taken from a burst of rain which lays the wind. I have no spur. Here again we have a mixture act metaphors due to the conflict of emotions in Macbeth's vii. He thinks of his purpose to murder Duncan as a charger; but he has no spur, i.

Instantly the scene changes and his ambition is pictured as a rider springing into his saddle, who overleaps himself and falls on the other side of his steed. Macbeth means that his ambition to be king would, if it led him to murder Duncan, carry him too far. An accented syllable is missing in the third foot.

Some editors have wished to supply "side"; but it is better to think of the speech as interrupted by the entrance of Lady Macbeth. Why have you left the chamber? Macbeth, conscious of his guilty wish, has been unable to remain in the presence of his benefactor.

Duncan has noticed his absence and asked for him. Lady Macbeth, under the pretense of recalling him to the banquet, comes to confirm him in his diction.

Macbeth Act 1 Scene 7 analysis

Her speeches in this scene should be most carefully studied. A careful analysis of them will show how she plays upon Macbeth's feelings and appeals to the strongest motives. She taunts him first with irresolution and lack of love for her. She charges him with cowardice, — the bitterest possible charge for a soldier to endure from the woman he loves. She appeals to him to keep the vow he has sworn, and declares that she would have stopped at no crime if she had taken such an oath.

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21:56 Malashakar:
Within the fluid construction of this soliloquy, words and sounds constantly attract and suggest each other, giving the impression of a train of thought. The conflict rages in his soul, and it seems as if the powers of good were triumphing, when Lady Macbeth enters. Notice the insistent repetition of individual words — if, were, done, be, but, Analysis of the rhetoric device of here — each repeated two or three times within the first few lines.